Suppression in The Yellow Wallpaper

In the nineteenth century, women were often suppressed and controlled by their saves and other men. In The colour paper, by Charlotte Perkins Gilman, the narrator is loaded to the point of insanity. Gilman uses symbolisation when describing the characters, riding horse and the wallpaper allowing the reader to throw the narrators downslope into madness as a result of womanish oppression.\nThe formers description of the third chief(prenominal) characters allows the reader to kick downstairs understand what it would be desire to be a female in the youthful nineteenth century. The narrator and withal the main character of The Yellow Wallpaper is a young married woman and mother who has recently been experiencing signs of drop-off and anxiety. John, her physician husband diagnoses her with ephemeral nervous depression---a slight neurotic tendency, and prescribes her three months of the easement cure. She was confined to the nursery in their rented summer home, and not al lowed to write, draw away with people she wanted to, or see her baby. Anyone in this attitude could easily progress toward madness. Her husband John is a uplifted physician who tells his wife that he only wants what is best for her, scarce he is being precise controlling. According to the narrator, He has no patience with faith, an intense shame of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down fingers on summon85. In essence, John encompasses a superordinate word rationality that conveys in challenge for the narrator to try and make John understand her rawness with her room and what she is seeing in the wallpaper. The third character Jennie is Johns sister, she is a perfect and enthusiastic housekeeper, and hopes for no better profession PAGE 87. She is symbolic of women in the late 19th century who were suffice with their domestic roles.\nThe setting in which this history takes place is also imperative to evaluate the symb olism used by Gilman. The story begi...